LOCKING VISUAL SYSTEM / SH_2026
SKIP TO CONTENTREAD PROJECTS INDEX
SOUNDCLOUDSPOTIFYAPPLE MUSICBANDCAMPYOUTUBETIKTOKINSTAGRAMSUBSTACKCONTACT
01SOUNDCLOUDOPEN02SPOTIFYOPEN03APPLE MUSICOPEN04BANDCAMPOPEN05YOUTUBEOPEN06TIKTOKOPEN07INSTAGRAMOPEN08SUBSTACKOPEN09CONTACTOPEN
ABOUTPROJECTSMUSICSHOP
SAM HOYEK 2026. ALL RIGHTS RESERVED

PROJECT MAP

Drag to travel. Scroll to move through depth. Select a body to inspect.

Kill It With Hammers

On Complete Nihilism in Deleuze’s Nietzsche

An essay reading Deleuze’s Nietzsche through complete nihilism, artistic creation, and Foucault’s joyous anti-fascist ethics. It asks how critique can stop policing life and become an active force that breaks reactive formations from within.

Friedrich Nietzsche pictured as the Ultimate Warrior, original artwork for Kill It With Hammers

In the modern philosophical tradition, especially in its Enlightenment and post-Kantian forms, critique often appears as a legislative act: a form of judgment that claims the authority to measure life according to standards of truth, reason, and legitimacy.

When critique takes this form, knowledge assumes an epistemic and legislative authority over life, judging existence according to standards presented as independent of the forces from which they arise.When critique takes this form, knowledge assumes an epistemic and legislative author]}\ }]=_ }=_]\ _1}1+{{ /-[]*]]1+ [*[}1+{// *_ 1>*1:/+\> [*}-]]/+0 =[ <[1>=}}[--> /0 -}= ++[-]+ =:/} _}_0- {1]0 {:-*{{

READ THE REST ON SUBSTACK
Kill It With Hammers — Sam Hoyek